

This post will officially be my first of 2011 - and its June. Some may see this as a realisation that literary neglect only ends in guilt, which in this case is partly true. However adding to this guilt, Brian Sewell's disgusting review of Tracey's Emin's new show at the Hayward Gallery, whereby he insinuated that viewers would struggle to feel sympathy towards a woman who has suffered incredible physical and mental trauma by the hands of man, enraged me to such a degree that I felt the need to shake the cobwebs of this small corner of the internet and start writing again. Kate Smuthwaite's blog response to the article, was well written and extremely convincing, resembling a glimmer of hope that despite Emin's career, she is primarily seen as a woman rather than an transgressive artist. Smuthwaite acknowledges that this was not a academic attack from one cultural figure to another, but instead a hard cold threat from a man to a woman, the misogynist vs the feminist. I urge you to locate this review published in the Evening Standard and ask yourself whether this is what art criticism has been reduced to, essentially an old man labelling an intellectual woman a mere 'drunken slag'.
Moving on to a rather different topic, but one which unconsciously keys into this discussion of gender politics, is knitting. Yes, knitting. The question that has been weaving itself around my brain for a few weeks now, is whether knitting is a purely a woman's game. Now I personally would consider it odd if I was considering the politics of knitting just for the mere enjoyment - but there is no need to worry, I do have a stimulus - I work at an Art Gallery. The current exhibition is looking into the workings of fabric and textiles during the mid twentieth century, its quite interesting actually, come along. The curators of the gallery have decided to get the public involved and have started up what is now referred to as 'The Wool Wall'. The Wool Wall, which I have taken to saying as if it represents an impending sense of doom, is supposed to, by the end of the exhibition, be filled with hundred of different pieces of knitting. I had heard that knitting was no longer considered a slightly geeky activity and had actually began circulating the 'cool' hobby club, and so when our bosses began to encourage their workers to add to the wall, I was enthusiastic to say the least. After a week of knitting frenzy I began to notice that while the gallery's female employers were searching for different yarns and patterns, the male workers, (minus my creative gay friend who has a tendency to make paper cranes), were throwing the wool under their chairs, and feigning temporary deafness if the matter of knitting was raised. Now by 2011 I had thought that knitting had become socially acceptable, having lost its ageing female connotations, and a man could confidently stroll into a haberdashery store and demand larger needles. However, this is seemingly not the case. I would be interested in knowing what people think. Men, hollah at me - are you going under cover to your local thursday knit and stitch club? Do you feel panicked at the thought of your secret being exposed? or is knitting for men just NOT ok?
ps: yes don't worry, all responses will be kept anonymous....
































